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According to Sharp, Mukai's film has much better production values, taking an "airbrushed fantasy" approach more similar to the French Emmanuelle than the "crude and direct" US film. Nevertheless, Mukai's film presents a reactionary attitude towards sex in direct opposition to the liberated approach attempted in the US film. While the US film portrayed sex as something to be enjoyed by both men and women, in Mukai's film, it is for the man to enjoy at the woman's expense. In contrast to the humorous approach taken by the US film, Mukai's plays its subject seriously, which, Sharp notes, enables it to be enjoyed in a camp manner. As an example of this aspect of the film, Sharp singles out a scene soon after Kumi's operation, in which she first experiences post-surgery orgasm by shoving a banana down her throat. Red wine flows down Kumi's throat ifying the loss of her "virginity", as the orchestral soundtrack swells for dramatic emphasis.

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Takehiko seduces Kumi, but is frustrated when she refuses to perform oral sex on him.

Hideo shoots and kills his father, but Kumi grabs the gun and kills Hideo so that she can inherit the family's thorat. You may only enter this website if you are at least 18 years old or the age of majority in the country you live in - if not, you cannot enter the site.

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Angered, Takehiko forces Kumi to undergo surgery in which her clitoris is transferred to her throat, thereby requiring that she engage in oral sex in order to have an orgasm. Takehiko sends his son away, ostensibly on a business trip, but actually so that he can be murdered by Takehiko's henchmen.

In some countries, people do not legally have the choice to decide any of the above; it is your responsibility to comply with local laws. Hideo's father, Takehiko, lusts after Kumi.

Hideo shoots and kills his father, but Kumi grabs the gun and kills Hideo so that she can inherit the family's fortune. She meets and quickly marries Hideo, the heir to a corporate empire.

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Leave to Google. She meets and quickly marries Hideo, the heir to a corporate empire.

Takehiko sends his son away, ostensibly on a business trip, but actually so that he can be murdered by Takehiko's henchmen. Angered, Takehiko forces Reep to undergo surgery in which her clitoris is transferred to her throat, thereby requiring that she engage in oral sex in order to have an orgasm.

It does not not provide a booking service, arrange meetings or take ceep on behalf of an advertiser or any commission from them. Hideo, the supposedly murdered son, returns having paid off his assassins. This site uses cookies.

Deep throat in tokyo

While the US film portrayed sex as something to be enjoyed by both men and women, in Mukai's film, it is for the man to enjoy at the woman's expense. In contrast to the humorous approach taken by the US film, Mukai's plays its subject seriously, which, Sharp notes, enables it to be enjoyed in a camp manner. Red wine flows down Kumi's throat ifying the loss of her "virginity", as the orchestral soundtrack swells for dramatic emphasis. Hideo, the supposedly murdered son, returns having paid off his assassins.

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Any services offered, or inferred - in addition to time - are the choice of consenting adults and a private matter to be agreed between each party. It has a reputation as being the prolific director's "most notorious feature" and best known film. Any price indicated by an advertiser relates to time only and nothing else. This website only provides a service which allows adult individuals to advertise their time and companionship to other adult individuals.

‎deep throat in tokyo () directed by kan mukai • reviews, film + cast • letterboxd

Takehiko seduces Kumi, but is frustrated when she refuses to perform oral sex on him. As an example of this aspect of the film, Sharp singles out a scene soon after Kumi's operation, in which she first experiences post-surgery orgasm by shoving a banana down her throat. Hideo's father, Takehiko, lusts after Kumi.

If you are accessing this website from a country which prohibits access to adult content or any associated activities, you do so at your own risk. According to Sharp, Mukai's film has much better production values, taking an "airbrushed fantasy" approach more similar to the French Emmanuelle than the "crude and direct" US film. Nevertheless, Mukai's film presents a reactionary attitude towards sex in direct opposition to the liberated approach attempted in the US film.

It is your responsibility to comply to local laws.